Book Review: Secrets of the Sprakkar by Eliza Reid.

Secrets of the Sprakkar: Iceland’s Extraordinary Women and How They Are Changing the World, by Eliza Reid. This book was a relatively light and easy read, in large part because it was hopeful about gender equality. Written in 2020 and released in 2022, the book covers a wide variety of topics around gender equality in Iceland, where the author was First Lady from 2016 to 2024.

Reid structures the book around “sprakkar” or extraordinary Icelandic women: mythical, historical, and women Reid knows from her time in Iceland. As an immigrant, she covers both good and bad points about Iceland’s small population (e.g., it turns like a speedboat, but everyone is related to everyone, which can lead to cronyism and nepotism and limited opportunities for immigrants and outsiders). It struck me that the modern women she interviewed were often ordinary but interesting: almost any woman in public life can be a sprakkar if you focus on her good works.

While the book is encouraging about Icelandic and European gender equality, it’s depressing to consider it in light of gender disparity in the US. Icelanders consider gender equity a moral right, where here we’re fighting a rearguard action against people who consider patriarchal hierarchy desirable and correct. Gestures and actions that seem simple in the Icelandic context would be highly controversial here. Certainly no recent American First Lady could write a book on extraordinary American women. While she might have connections to powerful businesswomen, celebrities, and sports heroines, the approach she would take to interviewing them would necessarily be different.

At the same time, Reid is aware of her own privilege and the downsides of Iceland for immigrant women, particularly women of color. Reid’s interviews with fellow immigrants bring these problems into focus, including spousal abuse in her own circles. And her chapter discussing Iceland’s work toward supporting women refugees was distressing to read.

The book answers questions I didn’t know I had and raises questions I couldn’t expect it to answer. The differences in size and culture between the US and Iceland mean their answers can’t transfer here, but they suggest how American institutions could support women and gender equity if they wanted. It would be inspiring if we hadn’t seen in recent weeks that so many American institutions neither care about nor want diversity, equity, and inclusion.

Pride goeth before a fall

One of the major stories in the Metroplex this week is that Robert Morris, the former pastor of Gateway Church in Southlake, has been indicted on five counts of lewd or indecent acts to a child in Oklahoma. Morris was a travelling preacher in Oklahoma in the 1980s when he met Cindy Clemishire, who was then 12 years old, and began to molest her. This story had come out inside Gateway Church over the years, but only became publicly known when Clemishire told her story about how Morris abused her for five years last June. Morris resigned and Gateway has been splintering ever since.

Part of the problem with Gateway was that it had a bad culture, as described in this DMN article. When the story of Morris’ disgrace came out, he initially responded that he’d had a moral failure with “a young lady” 35 years ago; at least some Gateway elders didn’t know that she was a pre-teen even though the so-called moral failure had come up as early as 2007.

One of the things the DMN article describesis the culture of megachurches like Gateway, which has about 19,000 in-person attendees every week now, after membership has dropped by at least a quarter from its heights. Morris, who had become a celebrity evangelist and a spiritual advisor to Donald Trump, was apparently a talented preacher, and his leadership had made the church one of America’s largest. But there was rot at the heart of Gateway Church, one that manifested in ways that the DMN describes, and now Gateway has fallen: financially, in attendance, and morally. And yet, as the DMN notes, some parishioners, even women who have been abused, still want Robert Morris back as pastor.

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Dreams and nightmare monsters

If you haven’t read the recent news about sexual assault allegations against author Neil Gaiman, NPR has a good summary. If you want the details, the Vulture article has them, but you should exercise caution as there are detailed descriptions of sexual assault and abuse, including sexual assault in the presence of a child. Gaiman’s ex-wife, Amanda Palmer, is also implicated in putting women in Gaiman’s way, and has issued a statement of her own, mostly saying she can’t talk about it.

I’m watching a lot of people wonder who in SFF authorial circles knew what and when about Gaiman. Apparently Gaiman was known as a missing stair who had sex with young female fans, but nothing has come up that suggested he was known to be a rapist. Most of the fannish people, like other authors, who know Gaiman deal with him in a professional context, and only know his professional persona. Tori Amos, the first spokesperson for the sexual assault hotline RAINN, was a close friend of Gaiman’s and addressed the allegations against Gaiman after the news first broke in July. If a woman who was close enough to Gaiman to ask her to be a godparent to her daughter didn’t see it, how was anyone else supposed to?

I’ve read a lot of people wondering what to do with Gaiman’s work: his books, his comics, the TV shows based on his works. For me it’ll be on a case-by-case basis. I was once a fan of the Darkover books, but parts of the stories I loved were recast by finding out her history with her husband and her abuse of her daughter. With J.K. Rowling, I came to the books as an adult with life experience and some feminist classes in college under my belt, so I noticed some hinky gender politics that many of her fans who got the books in childhood reasonably missed. Rowling’s heel turn into radical transphobia was disappointing but not shocking to me. Gaiman is going to fall somewhere in between for me. I’ll figure out how I feel about the collaborative works, particularly the Good Omens TV series, when I try to watch them.

Meanwhile I’m rereading Claire Dederer’s essay What Do We Do with the Art of Monstrous Men? again and moving her book on the same subject further up my TBR pile.